A memorial to the Schleitheim Anabaptist families and to Michael Sattler.
Many people from Schleitheim and Beggingen were persecuted for over 200 years because of their belief if the "Anabaptism."
Many Schleitheimer residents and neighboring Anabaptists were fined, imprisoned, and expelled by the authorities.
Numerous families from the Schleitheim Valley were expelled for "Anabaptism"
(Digital illustration / representative image)
A monument in Schleitheim is intended to express and promote contemporary values: peace, human rights, minority protection, freedom of belief, and a fundamental recognition of pluralistic coexistence.
This concept describes a possible future monument in rural Schleitheim. Nearly 500 years ago, seven articles were established here that still serve as the foundation for Anabaptist communities today: the Seven Schleitheim Articles.
However, for about two hundred years many citizens of Schaffhausen were also persecuted and expelled—simply because they were associated with the Anabaptists. Visitors from around the world sometimes ask for an Anabaptist monument in the village.
These aspects prompted the Schleitheim Local History Association to consider a monument in Schleitheim.
Digital illustration / conceptual image
A public, eye-catching object at a central location on the Anabaptist Pathway / "Täuferweg" in the regional Schaffhausen Nature Park should commemorate the secret Anabaptist gathering in Schleitheim, where 500 years ago the seven articles of faith of the first Anabaptist communities were written.
Locals and visitors should reflect on the turmoil of the Reformation, because here free citizens of Schleitheim were persecuted and expelled solely for their faith: names such as Stamm, Bächtold (Bechtel), Wanner, Vogelsanger, Meier, Meyer, Peyer, Peter, Hess, Müller, Pletscher, Russenberger, and Wanner appeared in records related to "Anabaptism."
The memory of the Anabaptist Michael Sattler should be preserved; he is believed to be the author of the Schleitheim Confession.
The monument should also serve as a memorial and express and promote contemporary Central European values such as peace, human rights, protection of minorities, freedom of belief, and the fundamental recognition of pluralistic coexistence.
Schleitheim should become visible and comprehensible to everyone as a place rich in history and thus also serve as a source of identity for its residents.
The object should emphasize the center of the Schleitheim village and form a bold eye-catcher; it should catch the gaze of walkers and arouse curiosity, whether they are heading for the Randen or the Täuferpfad.
The object should address visitors in simple language so that an intuitive connection can form.
Thanks to the special object and photographic motif, Schleitheim should gain a strong presence in the media and on the Internet (coverage in major media, Instagram, Twitter, Facebook, TripAdvisor).
The monument can create value for the following groups:
Residents of Schleitheim (numerous Schleitheim Anabaptist names)
Visitors to the nature park
Anabaptists from around the world
Randen hikers
Online audience

Digital illustration / concept image
The Schleitheim Stairway to Heaven is meant to symbolize the uncertain, dangerous and arduous path of the Schleitheim Anabaptist families.
The Anabaptist and former monk Michael Sattler, life-size and figurative in bronze, balances on a sculptural, stylized ladder to heaven, surrounded by a group of people. Near the church tower, in an eternal contest; it is clear that the church tower will win. Michael Sattler is actually balancing "incorrectly", looking away from the ladder; his path is another path, more difficult, more radical, more dangerous. Sattler holds on only lightly, with his thumb alone, not striving for security. He extends the seven articles toward heaven in the hope that the Lord will help, perhaps sensing his dark future. No Anabaptist hat protects his head; Michael Sattler has exposed himself with his controversial text, and he knows this very well. His long coat appears clearly split as a reference to the Reformation. Michael Sattler looks toward the Randen. Perhaps a psalm is in his thoughts? Perhaps Psalm 121 from the Sermon on the Mount: "I will lift up mine eyes unto the hills, from whence cometh my help."
"I lift up my eyes to the hills—from where will my help come?"
Michael Sattler balances on a rung still far down, almost at ground level, close to the people who accompany him. In the eyes of his enemies, however, Sattler stands very high, having become dangerous and threatening their power: What if the whole people turned away from the secular rulers? No more oaths of loyalty? No more mercenaries? No more taxes? No more power?
But it is not about Michael Sattler alone. It is also about many other people who were persecuted for their particular beliefs and still are.
Many Schleitheimer Anabaptists were also fined, imprisoned, and expelled. The names of all Schleitheimer Anabaptists known from court records are written on the rungs of the ladder to heaven, connecting the ladder with today's and future village population: "Is my name also listed?" The lowest rungs invite climbing and allow physical interaction with the object. Depicting a group of people with Michael Sattler in their midst is the idea. Each visitor thus becomes an individual part of the memorial. As a passerby and viewer you thus become part of the 'Schleitheimer Himmelsleiter', part of its silhouette. The constantly changing group of people should be captured by visitors in photographs. History to touch, to participate in, to take away.
Interactive content about the Schleitheimer Confession, the Schleitheimer Anabaptists, and Michael Sattler can also be accessed via a QR code: a digital monument guide with an audio guide, film, texts, and images that help reveal the connections. Alongside the idealizing intent, problematic facets should also be illuminated. This contextualizes the commemorative object and turns it into a virtual 24-hour mini-museum.
The expelled Schleitheimer and Michael Sattler should remind us in the future to be grateful for today’s values: peace, human rights, protection of minorities, freedom of belief, and the fundamental recognition of pluralistic coexistence.

One of the first sketches of the
Schleitheimer Himmelsleiter
with a group of real visitors
A Schleitheim sky-ladder was found between the church and the parsonage/schoolhouse and is exhibited in the Schleitheimertal Museum.
The ladder allows safe ascent or descent. Secure footing? Foundation? Is someone there to hold the ladder? Or to knock it over, perhaps even into the fire? Hair-raising balance! Do the rungs hold? From what wood are they carved? Ladder – courage, balance. A touch of anarchy, "leaving the earth".
Ladder to freedom? Or into the fire? Ladder to heaven. Bridge, martyrdom, making peace among people. The ladder, the leader, spiritual leaders? Nonviolent, acrobat, escape artist, artist, writer?
Ladder as a symbol
Ladder = path = gone?
The ladder is intended to be a symbol for the extremely arduous path of suffering that was imposed on the Anabaptists of the time, including many Schleitheim citizens, by the secular and ecclesiastical authorities.

Model
"The location is as important as the monument itself."
The monument should be placed in Schleitheim at a central location, clearly visible from the local museum.
Between the old schoolhouse and the parsonage, a site was found that meets most of the requirements.

The proposed location of the Schleitheimer Himmelsleiter is marked in red (schematic sketch)
The monument will be largely funded by sponsors.

Digital illustration / sample image
Pletscher Metallbau, Beringen
Artist Beat Künzler, Merishausen
As a sponsor you will receive lasting visibility directly at the Sky Ladder and on the internet. You will also benefit from a networking event with all sponsors and other advantages. Details can be found in the "Sponsoring" section.
You can contact us via the contact form; we will then contact you by phone to inform you about the options.
Details can be found in the "Sponsoring" section.
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